11th Grade BREADTH PORTFOLIO
Teacher Contact is e-mail. firstname.lastname@example.org or voice mail at 720 424-1776. Classroom phone is not answered during class, please leave a voicemail.
Department POLICIES AND REQUIREMENTS It is the responsibility of every VA student to be familiar with and honor classroom policies and Department Requirements listed on our home page. Please review late policy and studio rules at the beginning of the semester.
This Week in Class: CREATE A NEW PIECE TAKING SOMETHING FROM EACH OF YOUR “A piece a day” WORKS.
This Week’s Sketchbook Assignment, Due Monday May 22. Using the SPREADSHEET provided, reference the grid lines, colors or function in a new work. Consider all options to get a strong idea before you begin. To receive a 10, you must fully address the prompt, submit the work on time, demonstrate a commitment to the assignment. Unless specified, you may use the media of your choice.
Major Class Dates:
Final Written Critique and Reflection:, Friday, May 26
ACTIVITIES AND ASSIGNMENTS • Weekly sketchbook assignments, submitted on Mondays for class critique • 4 writing outside assignments (may include Art Gallery Reviews, research paper, analysis of written articles, or Artist Interview) Students will fine tune and increase sophistication in writing skills through gallery reviews, technical analysis, and personal reflections. Submit all written work in HARD COPY unless specifically arranged with instructor. • Collaborative class critiques • Individual art projects. • Guest artists and speakers Studio behaviors, including critique skills, preparation, attendance, focus, cooperation, studio maintenance, and attitude are assessed throughout the semester with points tallied as part of the final exam grade. Additional work on projects outside of class is required !
• Expectations are that students will complete all class assignments (on time) designed to cultivate advanced skill, creative thinking, awareness of contemporary art forms (including performance and installation), and conceptual ideas. • Students will create work supervised and advised by the instructor. • The sketchbook must be in class daily and document artistic process through journaling, extensive research, and sketches.
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Advanced Level I, Overview: This Advanced Level I Portfolio Development class follows AP Studio curriculum and demands strong commitment toward the production of highly finished, portfolio directed art pieces completed in a timely fashion. Advanced work should demonstrate technical ability, conscious use of the expressive qualities of art, and development of strong ideas through research and planning. Students should demonstrate understanding of the history of art, the role that art plays in the cultural landscape and how art is changing in the 21st century. Continued emphasis on strong, professional writing, and critical analysis will develop language skills and prepare students for college, and interview situations. Students will produce a Portfolio of 6 highly finished pieces in a variety of subjects, themes, media, techniques, and styles. Works must demonstrate advanced skill, research, and development of conceptual thinking. Completion of this portfolio helps identify a theme and concept for a meaningful Concentration Portfolio and senior show in 12th grade.
Big Idea Identification and development of specific technical strengths. Identification and development of personal themes. What ideas do I want to communicate with my work?
Essential Questions How do I create work that stretches me as an artist while developing a well-rounded Breadth Portfolio that demonstrates skill in a variety of areas? How do I work to my strengths and personal interests to develop a personal voice? What strategies and disciplines can I employ to work productively and independently on individual projects? How can I use my talents to communicate strong ideas and possibly serve my community? What professional skills are necessary for success in the arts?
11th Grade Breadth Portfolio
Each piece should demonstrate a specific technical skill in media or technique
Each piece should reflect personal content, a theme, or strong idea
Look to demonstrate media/skills that you do not already have a strong example of
Use research to develop and enhance richness of image, content and craftsmanship. Always consider how much further you can take your idea.
Evidence of research in 3 areas for each project is required using the research checklist. (Artists, technique/media to be used, theme)
BREADTH PORTFOLIO REQUIREMENTS
Black pencil rendering
pen and ink rendering
(optional mixed media, print, pastel, charcoal, crayon)
one direct observation piece from life (not from a photo reference)
Interior with depth
Self portrait (face or figurative) from an unusual angle
Figure Drawing examples
2 Sculptural or 3D pieces
Self Portrait as a Still life with objects, (Books in a totem format?), Use a variety of objects that reflect your identity
Process mark making piece layering marks and materials for depth and transparency. You should be able to explain your process.
White paint on black or white object study in paint
Fantasy, Fear, or Premonition (Denver’s future destruction?) –earthquake, nuclear warfare, flood, giant aliens etc?
Use contemporary products or behaviors to make a statement on our consumerism/materialism
Respond to a masterpiece from art history in depth